“Night and Morning” by Austin Clarke

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Night and Morning

I know the injured pride of sleep,
The strippers at the mocking-post,
The insult in the house of Caesar
And every moment that can hold
In brief the miserable act
Of centuries. Thought can but share
Belief—and the tormented soul,
Changing confession to despair,
Must wear a borrowed robe.

Morning has moved the dreadful candle,
Appointed shadows cross the nave;
Unlocked by the secular hand,
The very elements remain
Appearances upon the altar.
Adoring priest has turned his back
Of gold upon the congregation.
All saints have had their day at last,
But thought still lives in pain.

How many councils and decrees
Have perished in the simple prayer
That gave obedience to the knee;
Trampling of rostrum, feathering
Of pens at cock-rise, sum of reason
To elevate a common soul:
Forgotten as the minds that bled
For us, the miracle that raised
A language from the dead.

O when all Europe was astir
With echo of learned controversy,
The voice of logic led the choir.
Such quality was all in being,
The forks of heaven and this earth
Had met, town-walled, in mortal view
And in the pride that we ignore,
The holy rage of argument,
God was made man once more.

“Pilgrimage” by Austin Clarke

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Pilgrimage

When the far south glittered
Behind the grey bearded plains,
And cloudier ships were bitted
Along the pale waves,
The showery breeze—that plies
A mile from Ara—stood
And took our boat on sand:
There by dim wells the women tied
A wish on thorn, while rainfall
Was quiet as the turning of books
In the holy schools at dawn.

Grey holdings of rain
Had grown less with the fields,
As we to that blessed place
Where hail and honey meet.
O Clonmacnoise was crossed
With light: those cloistered scholars,
Whose knowledge of the gospel
Is cast as metal in pure voices,
Were all rejoicing daily,
And cunning hands with cold and jewels
Brought chalices to flame.

Loud above the grassland,
In Cashel of the towers,
We heard with the yellow candles
The chanting of the hours,
White clergy saying High Mass,
A fasting crowd at prayer,
A choir that sang before them;
And in stained glass the holy day
Was sainted as we passed
Beyond that chancel where the dragons
Are carved upon the arch.

Treasured with chasuble,
Sun-braided, rich cloak’d wine-cup,
We saw, there, iron handbells,
Great annals in the shrine
A high-king bore to battle:
Where, from the branch of Adam,
The noble forms of language—
Brighter than green or blue enamels
Burned in white bronze—embodied
The wings and fiery animals
Which veil the chair of God.

Beyond a rocky townland
And that last tower where ocean
Is dim as haze, a sound
Of wild confession rose:
Black congregations moved
Around the booths of prayer
To hear a saint reprove them;
And from his boat he raised a blessing
To souls that had come down
The holy mountain of the west
Or wailed still in the cloud.

Light in the tide of Shannon
May ride at anchor half
The day and, high in spar-top
Or leather sails of their craft,
Wine merchants will have sleep;
But on a barren isle,
Where Paradise is praised
At daycome, smaller than the sea-gulls,
We heard white Culdees pray
Until our hollow ship was kneeling
Over the longer waves.

“The Planter’s Daughter” by Austin Clarke

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The Planter’s Daughter

When night stirred at sea
And the fire brought a crowd in,
They say that her beauty
Was music in mouth
And few in the candlelight
Thought her too proud,
For the house of the planter
Is known by the trees.

Men that had seen her
Drank deep and were silent,
The women were speaking
Wherever she went—
As a bell that is rung
Or a wonder told shyly,
And O she was the Sunday
In every week.

“Nocturne of the Self-Evident Presence” by Thomas MacGreevy

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Nocturne of the Self-Evident Presence

Fortunate,
Being inarticulate,
The Alps
Rise
In ice
To heights
Of large stars
And little;
To courts
Beneath other courts
With walls of white starlight.
They have stars for pavement,
The valley is an area,
And I a servant,
A servant of servants,
Of metaphysical bereavements,
Staring up
Out of the gloom.

I see no immaculate feet on those pavements,
No winged forms,
Foreshortened,
As by Rubens or Domenichino,
Plashing the silvery air,
Hear no cars,
Elijah’s or Apollo’s,
Dashing about
Up there.
I see alps, ice, stars and white starlight
In a dry, high silence.

“Recessional” by Thomas MacGreevy

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Recessional

In the bright broad Swiss glare I stand listening
To the outrageous roars
Of the Engelbereraa
As it swirls down the gorge
And I think I am thinking
Of Roderick Hudson.
But, as I stand,
Time closes over sight,
And sound
Is drowned
By a long silvery roar
From the far ends of memory
Of a world I have left
And I find I am thinking:
Supposing I drowned now,
This tired, tiresome body,
Before flesh creases further,
Might, recovered, go, fair,
To be laid in Saint Lachtin’s,
Near where once,
In tender, less glaring, island days
And ways
I could hear—
Where listeners still hear—
That far-away, dear
Roar
The long, silvery roar
Of Mal Bay.

“Aodh Ruadh O’Domhnaill” by Thomas MacGreevy (Irish, 1893-1967)

Aodh Ruadh O’Domhnaill

Juan de Juni the priest said,
Each J becoming H;

Berruguete, he said,
And the G was aspirate;
Ximenez, he said then
And aspirated first and last.

But he never said
And—it seemed odd—he
Never had heard
The aspirated name
Of the centuries-dead
Bright-haired young man
Whose grave I sought.

All day I passed
In greatly built gloom
From dusty gilt tomb
Marvellously wrought
To tomb
Rubbing
At mouldy inscriptions
With fingers whetted with spit
And asking
Where I might find it
And failing.

Yet when
Unhurried—
Not as at home
Where heroes, hanged, are buried
With non-commissioned officers’ bored maledictions
Quickly in the gaol yard—

They brought
His blackening body
Here
To rest
Princes came
Walking behind it
And all Valladolid knew
And out to Simancas all knew
Where they buried Red Hugh.

Thomas MacGreevy (Irish, 1893-1967) Poem — Rare:

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De Civitate Hominum

The morning sky glitters
Winter blue.
The earth is snow-white,
With the gleam snow-white answers to sunlight,
Save where shell-holes are new,
Black spots in the whiteness—

A Matisse ensemble.

The shadows of whitened tree stumps
Are another white.

And there are white bones.

Zillebeke Lake and Hooge,
Ice gray, gleam differently,

Like the silver shoes of the model.

The model is our world,
Our bitch of a world.
Those who live between wars may not know
But we who die between peaces
Whether we die or not.

It is very cold
And, what with my sensations
And my spick and span subaltern’s uniform,
I might be the famous brass monkey,
The nature morte accessory.

Morte…!
‘Tis still life that lives,
Not quick life—
There are fleece-white flowers of death
That unfold themselves prettily
About an airman

Who, high over Gheluvelt,
Is taking a morning look around,
All silk and silver
Up in the blue.

I hear the drone of an engine
And soft pounding puffs in the air
As the fleece-white flowers unfold.

I cannot tell which flower he has accepted
But suddenly there is a tremor,
A zigzag of lines against the blue
And he streams down
Into the white,
A delicate flame,
A stroke of orange in the morning’s dress.

My sergeant says, very low, “Holy God!
‘Tis a fearful death.”

Holy God makes no reply
Yet.

For Kristen and Dax:

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Voyeur Envy

Stop buying that stuff, your life
is fine.

Stop buying that stuff, your life
is good enough.

It may not be as you once dreamed,
but grab it, accept it, and let Hollywood
successes be them. You are you;

We all have dreams, stuff to do; I dare
you not to buy the mags that say:
“So and so broke up with So and So,
and So and so’s in jail.”

What’s it to you? What’s more, those
mags are made up of photos got against
the will of the subjects:

Paparazzi in alley-ways, by-ways, under
freeways smoking cigs and wearing
rags hiding like you in Hollywood
picture mags. Escape is the name of
their game—don’t buy it!

Stay in your lane; do what you do great,
find that path to peace of mind. Stop
immediately the envy of a different road,
it’s not yours let it go!!

Look up to God, decide what you wanna be
and ask a blessing and then for that goal
head at flank speed.

And so let’s leave the stars we like to
hear and see on screen telling us stories be.

And what stories they are, artists
collaborating, thank them loudly by
resisting temptations to buy pictures
and magazines with pictures of them
and their day-to-day.

I hereby challenge us all to find
our own path, respect others
and theirs, “no means no” and
all of that

A.A. Birthday Poem

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A.A. Birthday

Like the other, another spin ‘round the sun.

This one’s fun!
Not at first, mind you, it’s an almost
impossible uphill climb.

So instead of trudging it straight, against
the tide and everything great—

We adhere to and climb twelve steps.
The first is a false one, we fall down,
get hurt and admit we’re done, in us
stick a fork.

The second is a ray of sun, sing lullabies
to sad lives, we see God, or at least a
Power greater than us.

The third is easy and hard haven’t you heard,
we look up words like “decision” in the
dictionary and find other words like
“Victory” – the devil runs away abashed
at every defeat. This is pretty neat, God
is in charge now, let’s see what’s left to do:

4. Write and think, and write and think—be
fearless, this is our lives, write and think.
5. Tell God, you and another dude your
findings and feelings, the weight starts to really
lift…

Six, we became ready for a new life by preparing
to give up old traits that clouded vision and
possibilities like dusty old drapes, sour grapes,
run to the market for new ones it’s not too late!

Seven is a way to humbly ask: LORD remove my
faults, Please…

Now write down names, people you have harmed,
become willing then make amends to them all.

Some may run away from you, see some
weird side of you, think you’ve gone
too religious, maybe take a break from you.

Others will be grateful and inspired.

Keep checking yourself against your actions;
faults like San Andreas want to rise and give us
trouble from time to time.

Pray hard! Improve that line between you and
God as you understand God, pray for that power
to know what to do next. Know that God’s will
is what happens.

Take that glory, your awakening of spirit, give it
to other punk alcoholics, people who could use
a boost, do this well and find you’ve gone through
the last hoop, now back to one, excuse me the One,

For there is where the healing is.

Happy Birthday.

“Rosalind’s Description” by Thomas Lodge

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Like to the clear in highest sphere,
Where all imperial glory shines,
Of self-same color is her hair,
Whether unfolded or in twines:
Heigho, fair Rosalind!

Her eyes are sapphires set in snow,
Refining heaven by every wink;
The gods do fear when as they glow,
And I tremble when I think:
Heigho, would she were mine!

Her cheeks are like the blushing cloud
That beautifies Aurora’s face,
Or like the silver, crimson shroud
That Phoebe’s smiling looks doth grace:
Heigho, fair Rosalind!

Her lips are like two budded roses,
Whom ranks of lilies neighbor nigh,
Within which bounds she balm incloses
Apt to entice a deity:
Heigho, would she were mine!

Her neck like to a stately tower,
Where Love himself imprisoned lies,
To watch for glances every hour,
From her divine and sacred eyes:
Heigho, fair Rosalind!

Her paps are centres of delight,
Her breasts are orbs of heavenly frame,
Where Nature moulds the dew of light,
To feed Perfection with the same:
Heigho, would she were mine!

With orient pearl, with ruby red,
With marble white, with sapphire blue,
Her body every way is fed,
Yet soft in touch and sweet in view:
Heigho, fair Rosalind!

Rosalind