“The Road” by John Gould Fletcher

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The Road

As one who walks in sleep, up a familiar lane
I went, my road to discover:
In my head was a dark bewilderment and in my
heart a pain;
The branches hung straight over.

At the summit the sky blazed with endless stars,
refired
By the ebbing of the day;
The earth was darkly beautiful and I was very tired.
There was my road, and nothing more to say.

“Work: A Song of Triumph” by Angela Morgan

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Work: A Song of Triumph

Work!
Thank God for the might of it,
The ardor, the urge, the delight of it—
Work that springs from the heart’s desire,
Setting the brain and the soul on fire—
Oh, what is so good as the heat of it,
And what is so glad as the beat of it,
And what is so kind as the stern command,
Challenging brain and heart and hand?

Work!
Thank God for the pride of it,
For the beautiful, conquering tide of it.
Sweeping the life in its furious flood,
Thrilling the arteries, cleansing the blood,
Mastering stupor and dull despair,
Moving the dreamer to do and dare.
Oh, what is so good as the urge of it,
And what is so glad as the surge of it,
And what is so strong as the summons deep,
Rousing the torpid soul from sleep?

Work!
Thank God for the pace of it,
For the terrible, keen, swift race of it;
Fiery steeds in full control,
Nostrils a-quiver to meet the goal.
Work, the Power that drives behind,
Guiding the purposes, taming the mind,
Holding the runaway wishes back,
Reining the will to one steady track,
speeding the energies faster, faster,
Triumphing over disaster.

Oh, what is so good as the pain of it,
And what is so great as the gain of it?
And what is so kind as the cruel goad,
Forcing us on through the rugged road?

Work!
Thank God for the swing of it,
For the clamoring, hammering ring of it,
Passion of labor daily hurled
On the mighty anvils of the world.
Oh, what is so fierce as the flame of it?
And what is so huge as the aim of it?
Thundering on through dearth and doubt,
Calling the plan of the Maker out.
Work, the Titan; Work, the friend,
Shaping the earth to glorious end,
Draining the swamps and blasting the hills,
Doing whatever the Spirit wills—
Rending a continent apart,
To answer the dreams of the Master heart.
Thank God for a world where none may shirk—
Thank God for the splendor of work!

“Lovers’ Dusk” by Arthur Davison Ficke

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                          Lovers’ Dusk

    Spring fills the air today; with different sound
The whistles blow, out in the foggy bay;
There is a thawing in the sodden ground;
And flowers whose birth is still two months away
Send down the air premonitory ghosts
Of what shall be their odors.  As we lie
Here in the dusk of silence, all things lost
Seem phantoms of a winter soon to die.
Nothing is dead that had the power to live;
Nothing can end except what should not be;
Beauty, that far-sought April fugitive,
Comes home to those who trust felicity;
Moments that have the whole life to give
Pause thus by lovers’ couches, tenderly.

“Sea-Sketch” by Arthur Davison Ficke

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               Sea-Sketch

    Sand, sand, long white sand.
Foam on the water, snow on the land.

    Grey, empty, homeless sky,
And three bleak gulls flapping by.

    You and I, hand in hand
On that edge of sea and sand.

    You and I, dazed as though
Life had died an age ago.

“The Golden Swallow” by Arthur Davison Ficke

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 The Golden Swallow

    I heard a maiden singing
Down a valley, in the sun—
“April is beginning!
I see the small leaves springing!
And the winter’s done!”

    I saw a golden swallow
Fly up out of the south.
The sunlight seemed to follow
Where he touched hill and hollow
With a gold leaf in his mouth.

    Today new green will cover
Each scar of winter ills.
The night-bird has gone over.
The loved turns to her lover,
And light sweeps the hills!

“October Salmon” by Ted Hughes

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October Salmon

He’s lying in poor water, a yard or so depth of poor safety,
Maybe only two feet under the no-protection of an outleaning
small oak,
Half-under a tangle of brambles.

After his two thousand miles, he rests,
Breathing in that lap of easy current
In his graveyard pool.

About six pounds weight,
Four years old at most, and hardly a winter at sea –
But already a veteran,
Already a death-patched hero. So quickly it’s over!

So briefly he roamed the gallery of marvels!
Such sweet months, so richly embroidered into earth’s
beauty-dress,
Her life-robe –
Now worn out with her tirelessness, her insatiable quest,
Hangs in the flow, a frayed scarf –

An autumnal pod of his flower,
The mere hull of his prime, shrunk at shoulder and flank,

With the sea-going Aurora Borealis of his April power –
The primrose and violet of that first upfling in the estuary –
Ripened to muddy dregs,
The river reclaiming his sea-metals.

In the October light
He hangs there, patched with the leper-cloths.

Death has already dressed him
In her clownish regimentals, her badges and decorations,
Mapping the completion of his service,
His face a ghoul-mask, a dinosaur of senility, and his whole body
A fungoid anemone of canker –

Can the caress of water ease him?
The flow will not let up for a minute.

What change! from that covenant of Polar Light
To this shroud in a gutter!
What a death-in-life – to be his own spectre!
His living body become death’s puppet,
Dolled by death in her crude paints and drapes
He haunts his own staring vigil
And suffers the subjection, and the dumbness,
And the humiliation of the role!

And that is how it is,
That is what is going on there, under the scrubby oak tree,
hour after hour,
That is what the splendour of the sea has come down to,
And the eye of ravenous joy – king of infinite liberty
In the flashing expanse, the bloom of sea-life,

On the surge-ride of energy, weightless,
Body simply the armature of energy
In that earliest sea-freedom, the savage amazement of life,
The salt mouthful of actual existence
With strength like light –

Yet this was always with him. This was inscribed in his egg.
This chamber of horrors is also home.
He was probably hatched in this very pool.

And this was the only mother he ever had, this uneasy
channel of minnows
Under the mill-wall, with bicycle wheels, car-tyres, bottles
And sunk sheets of corrugated iron.
People walking their dogs trail their evening shadows across him.
If boys see him they will try to kill him.

All this, too, is stitched into the torn richness,
The epic poise
That holds him so steady in his wounds, so loyal to his doom,
so patient
In the machinery of heaven.

“An Eel” by Ted Hughes

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An Eel

The strange part is his head.  Her head.  The strangely ripened
Domes over the brain, swollen nacelles
For some large containment.  Lobed glands
Of some large awareness.  Eerie the eel’s head.
This full, plum-sleeked fruit of evolution.
Beneath it, her snout’s a squashed slipper-face,
The mouth grin-long and perfunctory,
Undershot predatory.  And the iris, dirty gold
Distilled only enough to be different
From the olive lode of her body,
The grained and woven blacks.  And ringed larger
With a vaguer vision, an earlier eye
Behind her eye, paler, blinder,
Inward. Her buffalo hump
Begins the amazement of her progress.
Her mid-shoulder pectoral fin – concession
To fish-life – secretes itself
Flush with her concealing suit: under it
The skin’s a pale exposure of deepest eel
As her belly is, a dulled pearl.
Strangest, the thumb-print skin, the rubberized weave
Of her insulation.  Her whole body
Damascened with identity.  This is she
Suspends the Sargasso
In her inmost hope.  Her life is a cell
Sealed from event, her patience
Global and furthered with love
By the bending stars as if she
Were earth’s sole initiate.  Alone
In her millions, the moon’s pilgrim,
The nun of water.

“Low Water” by Ted Hughes

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Low Water

This evening
The river is a beautiful idle woman.

The day’s August burn-out has distilled
A heady sundowner.
She lies back. She is tipsy and bored.

She lolls on her deep couch. And a long thigh
Lifts from the flash of her silks.

Adoring trees, kneeling, ogreish eunuchs
Comb out her spread hair, massage her fingers.

She stretches—and an ecstasy tightens
Over the skin, and deep in her gold body

Thrills spasm and dissolve. She drowses.

Her half-dreams lift out of her, light-minded
Love-pact suicides. Copulation and death.

She stirs her love-potion—ooze of balsam
Thickened with fish-mucus and algae.

You stand under leaves, your feet in shallows.
She eyes you steadily from the beginning of the world.

Frost Look-Alike

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“The Dogs Come In”

It’s wet outside, muddy. The dogs
are out beyond my eyes, I cannot
see them costing me minutes of my life,
for when they come in I’ll be
there with a towel, ages and ages hence—
well at least when they come in.

I had English teachers say, “Don’t
ever with a preposition sentence
end.” I heard them say, and I was
out in the mud beyond their eyes,
drinking alcohol underage.

What we put up with is what we
put up with, but Churchill himself
did not a false sentence abide, for
him “ending a sentence thus is something
up with I shall not put.”

And the dogs come in, and I, I turn
out to be quite a loser. Muddy,
bruised, beaten and battered by
poor decisions after poor decisions.

Sometimes the cute goes away,
sometimes it stays, but we all must
change to suit the ages if we care
to live to “hence” past today